This exhibition marked a turning point in my creative journey. It was my first fully commercially focused event—an intentional shift away from the large, experimental canvases that had previously defined my practice. Until this point, I had worked with no expectations, creating avant-garde, open-ended work that extended from my roots in Fine Art. That kind of freedom still matters to me—but for this show, I chose to meet the audience halfway.
The focus shifted to my Rave Series—a body of work that remains authentic yet also considers what others might connect with visually. These pieces explore the energy of nightlife through portraiture and architecture, capturing both people and places with emotional weight.
I also began exploring new materials and approaches, working with pencil and pastel, and experimenting with upcycled frames. Upcycling is now one of my USPs. In a world flooded with disposable goods, rescuing and repurposing frames feels like a small act of resistance. Why throw things away when they can be fixed—and made beautiful?
This event helped me find the direction I’d been seeking. The rave images, the blend of media, and the focus on reuse will all continue to shape my work in 2025 and beyond.
